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How To Quickly (and Naturally) Tune Vocals With Autotune Pro

Pete Dowsett

Watch as Gobbler mentor Pete Dowsett (Abbey Road Institute) uses pitch correction like Antares Auto-Tune Pro and Celemony Melodyne to quickly (and naturally) tune a lead vocal in a dense Rock mix.

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How to Get Sample Accurate Drum Replacement

Pete Dowsett

Watch as Gobbler mentor Pete Dowsett (Abbey Road Institute) shows you how to get sample accurate drum replacement using a combination Slate Digital’s Trigger and Massey’s DRT plug-ins.

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EQ Tricks To Add Clarity To Bass

Darrell Thorp

Watch 7x Grammy award winner Darrell Thorp uses the McDSP FilterBank to add clarity and punch to bass guitar.

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How to Use Dynamic EQ To Fix Harsh Vocals

Darrell Thorp

Watch 7x Grammy award winner Darrell Thorp uses the McDSP AE400 Active EQ to fix the vocal “harshness” without affecting the clarity.

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How to Use Reverb To Create Wide Vocals

Pete Dowsett

Watch as Gobbler mentor Pete Dowsett (Abbey Road Institute) uses the Relab LX480 to add some exciting “ear candy” to a lead vocal in a dense Rock mix.

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How To EQ Harsh Tones When Mixing Vocals

Richard Furch

Watch as 6x Grammy winner Richard Furch uses the McDSP AE400 to EQ harsh tones when mixing vocals.

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Adding Width and Depth to Effects With NUGEN Audio Stereoizer

Pete Dowsett

Watch as Gobbler instructor Pete Dowsett creatively uses the NUGEN Audio Stereoizer to give an effected electric guitar more width and depth so it can find its own place in the mix.

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How To Use: Antares Mic Mod EFX

Pete Dowsett

Watch as Gobbler instructor Pete Dowsett gives an in-depth explanation of how to use the Antares Mic Mod EFX.

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How To Add Thickness And Clarity To Your Vocal

Darrell Thorp

Watch as 7x Grammy winner Darrell Thorp uses the Antares Mic Mod to add thickness and richness to a thin vocal to help it sit better in the mix.

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How to Add “Air” To Your Vocals

Darrell Thorp

Watch as 7x Grammy winner Darrell Thorp uses the Softube Abbey Road RS127 to add clarity and “air” to help a vocal cut through a dense mix.

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